2024.4.11
From Apr. 30, 2024, “Suna no Jikan (Sand Time)” Exhibition will start.
![[Suihei no Kaze (Horizontal Wind)] Produced by Sato Chu ©2024 Chu SATO](../images/news/news_img144.jpg)
[Suihei no Kaze (Horizontal Wind)] Produced by Sato Chu ©2024 Chu SATO
In the Apr. 01 issue of ARTIS No.28, we will introduce in connection with the exhibition, in [Interview] The Art Talk, the director Shigyo Sosyu will discuss the philosophical thought on art and works that portray the eternal time represented by “Sand” as the symbol.
![[Black Sand] SN2016-02 Mokushitaru Mono (The Silent One) Photographed by Tachihara Sei](../images/news/news_img144_2.jpg)
[Black Sand] SN2016-02 Mokushitaru Mono (The Silent One) Photographed by Tachihara Sei
Display period: Apr.30, 2024 (Tus.) ~ Aug.31 (Sat.)
Open on Tuesday ~ Saturday 11:00 ~ 18:00 / Closed on Sunday, Monday and National Holiday.
Location：Shigyo Sosyu Collection／Memorial Gallery of Toshima Yasumasa BIOTEC Building, 1-10 Kouji-machi, Chiyoda-ku, Tokyo
※Please call us before visiting our Gallery. (Tel：03-3511-8162)
⇒ Map here
2024.4.2
Business days of Nihon Seibutsu Kagaku Co., Ltd. and Memorial Gallery of Toshima Yasumasa during Golden Week.
We sincerely thank you for your continued patronage of BIOTEC Enterprise. We would like to inform you of the business days of Nihon Seibutsu Kagaku Co., Ltd. and the opening days of Shigyo Sosyu Collection / Memorial Gallery of Toshima Yasumasa during the Golden Week period in May.
Golden Week Calender
※Days with dates in red are business holidays.
※Schedule is the same for Head Office・Memorial Gallery of Toshima Yasumasa・Nihon Kingaku Kenkyujo.
※Business hours are as usual. (11:00~20:00)
On the holidays of May 03 (Fri.) and May 04 (Sat.), we will be open as usual. Instead, please note that we will be holding May 10 (Fri.) and May 11 (Sat.) as substitute holidays.
2024.3.14
On Apr.01, periodical booklet on Culture・Art “ARTIS” (bimonthly) No.28 will be published.
“ARTIS” (Art in Latin) No.28, introducing the collection of our gallery in various perspectives and receiving favorable reviews from the readers, will be published on Apr. 01. This time, we will be exhibiting Mr. Sato Chu’s metal sculpture, which are newly part of the Shigyo Sosyu Collection, and his thoughts on works and art, titled “Suna no Jikan (Sand Time),” that attempts to depict eternal time symbolized by “Sand.” We will introduce this in an interview project to Director Shigyo Sosyu [Art Talk].
The painting at the Opening Page features Mr. Sato Chu’s “Kiniro no Ame (Golden Rain),” In [Creators] corner, George Black is introduced. This time Ms. Mochizuki Suzuko who studied Nietzsche at Kokugakuin University and is currently engaged in writing activities, has contributed a poem dedicated to Mr. Tachihara Sei’s “[Interlude of light] － Phantom photograph of the Sand.” Please enjoy this beautiful poem, that you can sense the fetal movement of a “Novel Myth.”
Shigyo Sosyu Collection Display Floor / Memorial Gallery of Toshima Yasumasa is holding “Aesthetics of Duplicate” Exhibition until Apr. 20 (Sat). And from Apr.30 (Tus.) titled “Suna no Jikan (Sand Time)” Exhibition( ~ Aug.31), the same title as the ARTIS is scheduled to be held. Mr. Sato Chu’s near-future metal sculpture, Mr. Tachihara Sei’s photograph of Sand, Mr. Abe Hiraomi’s western painting depicting deserts, etc. will be exhibited. We hope you will continue to visit our current and upcoming exhibitions.
It is distributed free with free regular delivery, please contact Memorial Gallery of Toshima Yasumasa (Direct phone:03-3511-8162).
| [Opening Page] Pursue an Artwork | : Yasuda Yukihiko “Practice handwriting” |
| [Interview] The Art Talk | : Aesthetics of Duplicate |
| [Column] Creators | : Yasuda Yojyuro |
| [Free Project] Here and Now | : Thoughts on Photography |
| [Contribution] My Eye | : Kobayashi Daisuke |
| [Serials] | : Letter from Toshima Yasumasa Curator News |
“ARTIS” No.28
2024.1.16
On Feb.01, periodical booklet on Culture・Art “ARTIS” (bimonthly) No.27 will be published.
“ARTIS” (Art in Latin) No.27, introducing the collection of our gallery in various perspectives and receiving favorable reviews from the readers, will be published on Feb.01. In the interview to the Director Shigyo Sosyu “The Art Talk,” the theme of “Utsushi no Bigaku (Aesthetics of Duplicate)” will be contemplated. “Duplicating” is the primordial act of art. Starting with the cave paintings of Altamira, creators fight to capture the great mystery by duplicating “something” in front of them. The more mysterious a work is, the more it can be said to live on in the lives of others.
The painting at [Opening page], features Yasuda Yukihiko’s “Tenarai (Practice handwriting),” and in [Column] Creators introduces Yasuda Yojyuro. This time, Mr.Kobayashi Daisuke, a businessperson who studied Kant at the University of Tokyo, has contributed a poem dedicated to Toshima Yasumasa’s [Katamuita akai tochi ― La tierra roja inclinada (The inclined red land)]. We invite you to taste the poetry born from a dialogue with a true work of art.
Shigyo Sosyu Collection Display Floor / Memorial Gallery of Toshima Yasumasa will hold “Utsushi no Bigaku－Jiso o miru (Aesthetics of Duplicate－Gaze the Ultimate Reality)” Exhibition (Feb.06 ~ Apr.20) under the same title as the ARTIS. We hope to have you visit the exhibition also.
It is distributed free with free regular delivery, please contact Memorial Gallery of Toshima Yasumasa (Direct phone:03-3511-8162).
| [Opening Page] Pursue an Artwork | : Yasuda Yukihiko “Practice handwriting” |
| [Interview] The Art Talk | : Aesthetics of Duplicate |
| [Column] Creators | : Yasuda Yojyuro |
| [Free Project] Here and Now | : Thoughts on Photography |
| [Contribution] My Eye | : Kobayashi Daisuke |
| [Serials] | : Letter from Toshima Yasumasa Curator News |
“ARTIS” No.27
2024.1.26
“Utsushi no Bigaku – Jiso o miru ( Aesthetics of Duplicate – Gaze the Ultimate Reality)” will be held from Feb.06, 2024.
![[Tabletop Still Life] [Portrait of a Lady] painted by Hayashi Takeshi](../images/news/news_img140.jpg)
[Tabletop Still Life] [Portrait of a Lady] painted by Hayashi Takeshi
This time, the exhibition titled [Aesthetics of Duplicate － Gaze the Ultimate Reality] (Display period: Feb.06, 2024 ~ Apr.20, 2024) will explore, what is “to duplicate,” which can be said to be the primordiality of art. And what is the “ultimate reality” that we gaze at when “duplicating” － the true figure hidden in the depth? This exhibition explores how we approach the “ultimate reality” through a variety of works. Please enjoy a wide range of works on display from painting of Hayashi Takeshi, Hirose Kou, Toshima Yasumasa, Ishida Jyunichi, and sketches and paintings by Yasuda Yukihiko, and wood carvings by Kumakawa Keiun.
And in ARTIS No.27, scheduled to be published on Feb.01, the same theme related to the exhibition will be contemplated. We will approach how the primordial act of “duplicating” became the root of art through an interview to Shigyo Sosyu and Free Project.
![[Tsubaki (Camellia)] painted by Yasuda Yukihiko](../images/news/news_img140_2.jpg)
[Tsubaki (Camellia)] painted by Yasuda Yukihiko
Display period: Feb.06, 2024 (Tus.) ~ Apr.20, 2024 (Sat.)
Open on Tuesday ~ Saturday 11:00 ~ 18:00 / Closed on Sunday, Monday and National Holiday.
Location：Shigyo Sosyu Collection／Memorial Gallery of Toshima Yasumasa BIOTEC Building, 1-10 Kouji-machi, Chiyoda-ku, Tokyo
※Please call us before visiting our Gallery. (Tel：03-3511-8162)
⇒ Map here
